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THE WAITING ROOM

There came a time when I began to suspect that much of what I called myself was a collection of habits, fears, preferences and carefully defended opinions.

I had become rather good at being me. It took up an extraordinary amount of energy.

So I began to look. At the stories I told myself, the importance I attached to them, and the peculiar ways I arranged the world around my own reflection.

There was something exhilarating about this. The less there was to defend, the more room there seemed to be.

I carried a Polaroid camera everywhere. The notebooks were part of the same enquiry: tender, ridiculous, sometimes merciless.

I wasn’t looking for a better version of myself. I wanted to find out what remained when I stopped taking myself quite so seriously.

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from the bar

i found myself

sitting by the aspidistra

 

i was sure i was different

like some kind of hieroglyph

 

funny how much i care

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standing between screens

in the mouth of the cinema

i catch myself wanting

 

there are rubies all over —

portals of poison

highways of delight

snatches of desire

 

and they awoke with blood on the pillow her neck was quite raw —

​

standing by the exit

playing with my keys

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just out of reach

overhead

that garden of pink

ever so close

an amble up that

pleasant hill

 

but i am awfully busy

cutting my nails

 

hardly notice, nearly remember —

and then it's gone

 

that's my secret

and i am glad

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i stopped

casting around for sunsets

 

aloneness is free

and christmas is filling the windows

 

easy with my story

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can't stop nodding my head

because there's a tune in my hair — maybe my strings are too tight

 

and i am on fire without fury

i can't stop believing my watch.

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