THE WAITING ROOM
There came a time when I began to suspect that much of what I called myself was a collection of habits, fears, preferences and carefully defended opinions.
I had become rather good at being me. It took up an extraordinary amount of energy.
So I began to look. At the stories I told myself, the importance I attached to them, and the peculiar ways I arranged the world around my own reflection.
There was something exhilarating about this. The less there was to defend, the more room there seemed to be.
I carried a Polaroid camera everywhere. The notebooks were part of the same enquiry: tender, ridiculous, sometimes merciless.
I wasn’t looking for a better version of myself. I wanted to find out what remained when I stopped taking myself quite so seriously.




from the bar
i found myself
sitting by the aspidistra
i was sure i was different
like some kind of hieroglyph
funny how much i care



standing between screens
in the mouth of the cinema
i catch myself wanting
there are rubies all over —
portals of poison
highways of delight
snatches of desire
and they awoke with blood on the pillow her neck was quite raw —
standing by the exit
playing with my keys





just out of reach
overhead
that garden of pink
ever so close
an amble up that
pleasant hill
but i am awfully busy
cutting my nails
hardly notice, nearly remember —
and then it's gone
that's my secret
and i am glad






i stopped
casting around for sunsets
aloneness is free
and christmas is filling the windows
easy with my story



can't stop nodding my head
because there's a tune in my hair — maybe my strings are too tight
and i am on fire without fury
i can't stop believing my watch.
